The Resonance
The film was made in the technique of stop-motion animation. Technically speaking the realization of “Resonance” can be also described through the process of transformation that the image underwent: from the video registration, through the separation of the stills in the computer, then printing of these different stills, achieving a new physical form, and then photographic registration in a studio, again returning to the computer and editing in order to achieve the format of a film.
I read and thought about different physical theories that propose parallel worlds, about the disputes whether the world has continuous structure (analogue) or non-continuous (discrete). I had a lot of time for those meditations because the work on the animation required performing arduous tasks, which without some “material” in the head would have been beyond endurance. For keeping the balance I read also different literature, Robert Walser’s, among others. The film was being made parallelly. It was meant to be just like a strange theory made up during a crazy stroll when the world seems beautiful.
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