
Agraada
Qwaatema an old living with her granddaughter, hen and house help. One day the hen playfully jumps over the house wall. Qwaatema who comes to feed it does not find it so tends to accuse the house help.

This year KLIK! received over 1.300 entries from 75 countries. The competition programs were compiled by painstakingly going through each and every one of these entries. For the second year running, however, KLIK! has also curated an extra out-of-competition program containing films from countries where animation perhaps does yet not have a big tradition, but where animation talent is on the rise.
Strikingly, the films presented in Emerging Animation Countries provide remarkable and often political perspectives on their nations of origin. A proper trip around the world from your safe and comfy cinema seat.

Qwaatema an old living with her granddaughter, hen and house help. One day the hen playfully jumps over the house wall. Qwaatema who comes to feed it does not find it so tends to accuse the house help.


The Animation talking about the death penalty Because death penalty is an inhuman sanction, & cannot be reversed in the event of judicial error. At least 8% of those executed in the world were found innocent after execution...human justice is relative & subjective.

The protagnist, Little Lotus, and her family were persecuted just because they refused to give up their belief in Falun Dafa.

Moriendo Renascor is a heartfelt allegory, which portrays the paradox of death and life in bittersweet nostalgic scenes. The film centers around a lady who awaits death while she lingers on her unknown dearest to come home. One morning the lady meets a gaffer, who promises her that he would reap her soul once she allows him to. Thus she begins to make peace with her sorrowful memories that time can not erase.

Custano is an Elder tree who is taken out from his Paradise by the spark of death. He never recovered from this fact that brings him to give his life for his son, Remigio.

Having made a tapestry full of monotonous figures, a weaver from Jalq'a, disappointed, decides to abandon the task. In that moment she will be taken to the Saxra domains, a world of chaos and music.

In an african savana, a lion took control of the only water spot and was waiting for the other poor thirsty animals to hunt them. Soamba the most clever animal of the bush called for a meeting to get to the bottom of this.

I focus on African women's self-image, through memories and interviews: using mixed media to describe our almost schizophrenic pursuit of globalised beauty.