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A video cassette and a butterfly, till the video tape tears.
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A provocative programme on the borderline between visual art and animation has been selected from the international creations of Montevideo/Time Based Arts. These are often idiosyncratic films with unconventional subjects, approaches and forms. The question running like a red thread through the programme is: when can something be called animation?
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A video cassette and a butterfly, till the video tape tears.

Japenese schoolgirls take a day off and organize a dance party.

Two young people are apparently involved in a love affair.

The illusion of a moving horse and a motionless statue.

Unsightly ingredients achieve beauty and meaning because of the artist.

Indefinable forms break away from strips of neon-like light.

An effortless crossing of spatial boundaries.

A book, a doorbell, a broom, a pen and a cup make a lively orchestra.

Mirror images with fragments of Rashomon (Akira Kurosawa).

Journey through a minimalist but tempting virtual space.

Images from splatter horror films from the 1970s recruited into art.

A spectacle of floating spacecrafts, that measures up to Star Wars.

Lego/playmobile-type dolls engage in a wide range of sexual activities.

American hero in a succession of failing rescue attempts.

A Dutch residential area as a metaphor for alienation.
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A desolate desert landscape is slowly transforming into a futuristic industrialized world. Indefinable machines are branching off into more complex mechanisms which are producing an industrial soundtrack while moving rhythmically.
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On approaching a tree with a picture, it turns out to be a picture of the initial situation.