
#23.2, Book of Mirrors
About light, based on optical principles from the Middle Ages and Renaissance.
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For the 25th anniversary of the festival, a programme featuring prize winners and highlights from the rich festival history is obviously unavoidable. In the build-up to the festival, visitors of the website could nominate films from the past 25 years for the Shareware programme. Not necessarily films that were once screened at the festival. Trend-setting examples of animation in the rapidly changing media landscape are screened in the Re-Imagining Animation section.

About light, based on optical principles from the Middle Ages and Renaissance.

Filmmakers and visual artists attempt to define the medium film.
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A chase through chases, implemented using print-outs of found footage frames from chase sequences, which are then folded and animated.
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The Empire unveils everything but sees nothing. Its enemies idealize everything but tolerate nothing. What if it all came down to flesh?

Epic sailing trip illustrated by nineteenth-century wood engravings, directly applied onto colour film. Adaptation of Samuel Taylor Coleridge’s The Rime of the Ancient Mariner.

Memories as seperate incidents, rather than moulding them into a conventional narrative. A memorial to the mortal terrors of childhood, the sadness of death and loss, the not-knowing of so much, and of course to the dogs themselves.

On a deserted fisherman's island a landlord, a prostitute and a gravedigger are waiting for clients, accompanied a sad chantey.